The Poetics of social work – how being artful in our craft takes us elsewhere into mindfulness
DOI:
https://doi.org/10.11157/anzswj-vol24iss1id142Keywords:
social work practice, mindfulness, poetry, professionalisation,Abstract
Poetry is an ageless craft that helps people find meaning and gives hope and courage. The poetics of social work describes an evolving framework in which poetry is located as a knowledge base that draws out mindfulness in the midst of uncertainty. Examples are provided of how the spiritual and artful aspects of the social work craft can be made more purposeful and explained through a poetic frame. Notions of light, time and space contex- tualise the way authentic relationships are at the heart of our work.
Many people talk about the art of social work, often in the context of the more mysterious, intangible, and less ‘scientific ‘ aspects of our craft. Usually such references are around the relational intimacies that our work relies on to be effective. In essence this is the connection between people, and the possibilities and hope that emerge from that authentic helping relationship.
An alternative view would be that describing social work as an ‘art’ places the work in a romanticised and nonsensical frame from an era before professionalisation, and the framing of practice in theory, defined skills and qualifications.
The professionalisation of social work has certainly meant ‘more than common sense’ (Maidment and Egan, 2004) is expected in the application of theory and practice. This begs the question of the artfulness of practice. These notions of the art and craft of social work deserve exploration.
References
Andrews, G. (2004). The cure. In G. Keillor (Selected and introduced by), Good poems for hard times (p 115). New York: Penguin Books.
Beddoe, L. (2004). Reflection in and critical reflection on social work: Learning about learning and thinking about thinking in social work. Social Work Review 16, 4, 50-57.
Bly, R. (1981). For my son Noah, ten years old. In G. Keillor (Selected and introduced by), Good poems for hard times (p. 33). New York: Penguin Books.
Carver, R. (1996). Late fragment. In N. Astley (Ed.) Staying alive (p. 456). New York: Miramax Books.
Collins, W. (1998). Shovelling snow with Buddha. In R. Housden (Ed.) 110 poems of love and revelation (pp. 11, 12). New York: Harmony Books.
Crane, H. (1933). Voyages II. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (pp. 444-445). New York: Harper Perennial.
Dowrick, S. (2009). In the company of Rilke. NSW: Allen & Unwin.
Harlow, M. (1985) Pensioners. Vlaminck’s Tie (p. 45). New Zealand: Auckland University Press.
Harlow, M. (2005). I am a Tyger. Cassandra’s Daughter (p. 39). New Zealand: Auckland University Press.
Harlow, M. (2009a). All about the world. The tram conductors blue cap (p. 5). Auckland: Auckland University Press.
Harlow, M. (2009b). The longest day of the year. The tram conductor’s blue cap (p. 35). Auckland: Auckland University Press.
Harms, L., & Connolly, M. (2009) The art and science of social work. In Social work contexts and practice, (2nd ed., pp. 3-18). Victoria: Oxford University Press.
Hirshfield, J. (1994). The door. In R. Housden (Ed.) 110 poems of love and revelation (p. 131). New York: Harmony Books.
Jacottett, P. (1987). Distances. In N. Astley (Ed.) Staying alive (p. 267). New York: Miramax Books.
Lalic, I. (1996). Places we love. In N. Astley (Ed.) Staying alive (p. 424). New York: Miramax Books.
Longfellow, H. (2003). The psalm of life. Retrieved 1 August 2011 from http://www.poemhunter.com/poem/the-psalm-of-life.
Lowell, R. (1977). Epilogue. In N. Astley (Ed.). Staying alive (p. 453). New York: Miramax Books.
McNair, W. (2003). The future. In G. Keillor (Selected and introduced by). Good poems for hard times (pp. 177,178). New York: Penguin Books.
Machado, A. (1983). Portrait. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (pp. 374-375). New York: Harper Perennial.
Maidment, J. & Egan, R. (2004). (Eds) Practice skills in social work and welfare. More than just common sense. New South Wales: Allen and Unwin.
Merwin, W. S. (1983). Berryman. In G. Keillor (Selected and introduced by). Good poems for hard times (pp. 164,165). New York: Penguin Books.
Milner, V. (2006). Uncommonly sensible social work practice: Using depths of conventional wisdom and spirituality to match what we know with what we sense. Social Work Review Volume, 18(3), 61-68.
Nemerov, H. (1977). The painter dreaming in the scholar’s house. In N. Astley (Ed.) Staying alive (pp. 450-453). New York: Miramax Books.
Nye, N.S. (1995). Kindness. In R. Housden (Ed.) 110 poems of love and revelation (pp. 76, 77). New York: Harmony Books.
Oliver, M. (1986). Wild geese. In N. Astley (Ed.) Staying alive (p. 5). New York: Miramax Books.
O’Siadhail, M. (1992). Between. In N. Astley (Ed.) Staying alive (p. 290). New York: Miramax Books.
Pujji, J. (2007). I was wondering. Follow yourself home: Word remedies to heal and inspire (p. 204). New Zealand: The Living Well Publications.
Rilke, R. M. (1981a). Just as the winged energy of delight. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (p. 236). New York: Harper Perennial.
Rilke, R. M. (1981b). A walk. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (p. 423). New York: Harper Perennial.
Rilke, R. M. (1995). The tenth duino elegy. In N. Astley (Ed.) Staying alive. (p. 44). New York: Miramax Books.
Sodergran, E. (1981). On foot I had to walk through the solar systems. In R. Housden (Ed.) 110 poems of love and revelation (p. 25). New York: Harmony Books.
Stafford, W. (1977). A ritual to read to each other. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (p. 233). New York: Harper Perennial.
Stafford, W. (1977). With Kit, age 7, at the beach. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (p. 37). New York: Harper Perennial.
Thomas, R. S. (1993). In R. Housden (Ed.). In R. Housden (Ed.) 110 poems of love and revelation (p. 129). New York: Harmony Books.
Turner, B. (2009). A wry big bloke. Just this (pp. 51-53). Wellington: Victoria University Press.
Wright, J. (1961). A blessing. In R. Bly, J. Hillman, & M. Mead (Eds.). The rag and bone shop of the heart (p. 435). New York: Harper Perennial.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
By completing the online submission process, you confirm you accept this agreement. The following is the entire agreement between you and the Aotearoa New Zealand Association of Social Workers (ANZASW) and it may be modified only in writing.
You and any co-authors
If you are completing this agreement on behalf of co-authors, you confirm that you are acting on their behalf with their knowledge.
First publication
By submitting the work you are:
- granting the ANZASW the right of first publication of this work;
- confirming that the work is original; and
- confirming that the work has not been published in any other form.
Once published, you are free to use the final, accepted version in any way, as outlined below under Copyright.
Copyright
You assign copyright in the final, accepted version of your article to the ANZASW. You and any co-authors of the article retain the right to be identified as authors of the work.
The ANZASW will publish the final, accepted manuscript under a Creative Commons Attribution licence (CC BY 4.0). This licence allows anyone – including you – to share, copy, distribute, transmit, adapt and make commercial use of the work without needing additional permission, provided appropriate attribution is made to the original author or source.
A human-readable summary of the licence is available from http://creativecommons.org/licenses/by/4.0, which includes a link to the full licence text.
Under this licence you can use the final, published version of the article freely – such as depositing a copy in your institutional research repository, uploading a copy to your profile on an academic networking site or including it in a different publication, such as a collection of articles on a topic or in conference proceedings – provided that original publication in Aotearoa New Zealand Social Work is acknowledged.
This agreement has no effect on any pre-publication versions or elements, which remain entirely yours, and to which we claim no right.
Reviewers hold copyright in their own comments and should not be further copied in any way without their permission.
The copyright of others
If your article includes the copyright material of others (e.g. graphs, diagrams etc.), you confirm that your use either:
- falls within the limits of fair dealing for the purposes of criticism and review or fair use; OR
- that you have gained permission from the rights holder for publication in an open access journal.